there is no poem greater than feeding someone
there is no poem wiser than kindness
there is no poem more important than being good to children
there is no poem outside love's violent potential for cruelty
there is no poem that ends grief but nurses it toward light
there is no poem that isn't jealous of song or murals or wings
there is no poem free from money's ruin
no poem in the capital nor the court
most policy rewords a devil's script
there is no poem in the law
there is no poem in the west
there is no poem in the north
poems only live south of something
meaning beneath & darkened & hot
there is no poem in the winter nor in whiteness
nor are there poems in the landlord's name
no poem to admonish the state
no poem with a key to the locks
no poem to free you
—Danez Smith, "anti poetica" from Bluff (Graywolf Press, 2024). This collection is amazing—no surprise, Danez Smith consistently fucks me up—but I read this poem on its own before reading the collection, and it's even better in context. It's worth knowing, I think, that this is the first of three poems in the collection called "anti poetica" and that there's also an "ars poetica." Other than that, no spoilers. Go read the book.
Showing posts with label author: Danez Smith. Show all posts
Showing posts with label author: Danez Smith. Show all posts
Monday, April 28, 2025
Tuesday, April 11, 2023
if you stay too long it will kill you
Sometimes I get poems stuck in my head, kind of like songs; today it's been this one. (I love this one.)
O California, don't you know the sun is only a god
if you learn to starve for him? I'm bored with the ocean
I stood at the lip of it, dressed in down, praying for snow
I know, I'm strange, too much light makes me nervous
at least in this land where the trees always bear green.
I know something that doesn't die can’t be beautiful.
Have you ever stood on a frozen lake, California?
The sun above you, the snow & stalled sea—a field of mirror
all demanding to be the sun too, everything around you
is light & it's gorgeous & if you stay too long it will kill you
& it's so sad, you know? You're the only warm thing for miles
& the only thing that can't shine.
—Danez Smith, "I'm Going Back to Minnesota Where Sadness Makes Sense," which is a killer fucking title. Originally published in the Michigan Quarterly Review, Volume 54, Issue 3, Summer 2015.
if you learn to starve for him? I'm bored with the ocean
I stood at the lip of it, dressed in down, praying for snow
I know, I'm strange, too much light makes me nervous
at least in this land where the trees always bear green.
I know something that doesn't die can’t be beautiful.
Have you ever stood on a frozen lake, California?
The sun above you, the snow & stalled sea—a field of mirror
all demanding to be the sun too, everything around you
is light & it's gorgeous & if you stay too long it will kill you
& it's so sad, you know? You're the only warm thing for miles
& the only thing that can't shine.
—Danez Smith, "I'm Going Back to Minnesota Where Sadness Makes Sense," which is a killer fucking title. Originally published in the Michigan Quarterly Review, Volume 54, Issue 3, Summer 2015.
Friday, April 8, 2022
blessed ground
I don't think there has been enough queer poetry yet this month, but obviously I am going to change that. I first encountered Danez Smith through an entirely different poem—"Tonight, in Oakland," which is wonderful—and then I tracked down some more of their poetry, as one does, and totally fell for this one.
this gin-heavy heaven, blessed ground to think gay & mean we.
bless the fake id & the bouncer who knew
this need to be needed, to belong, to know how
a man taste full on vodka & free of sin. i know not which god to pray to.
i look to christ, i look to every mouth on the dance floor, i order
a whiskey coke, name it the blood of my new savior. he is just.
he begs me to dance, to marvel men with the
dash
of hips i brought, he deems my mouth in some stranger’s mouth necessary.
bless that man’s mouth, the song we sway sloppy to, the beat, the bridge, the length
of his hand on my thigh & back & i know not which country i am of.
i want to live on his tongue, build a home of gospel & gayety
i want to raise a city behind his teeth for all boys of choirs & closets to refuge in.
i want my new god to look at the mecca i built him & call it damn good
or maybe i’m just tipsy & free for the first time, willing to worship anything i can taste.
—Danez Smith, "The 17-Year-Old & the Gay Bar," Poetry magazine, 2017.
this gin-heavy heaven, blessed ground to think gay & mean we.
bless the fake id & the bouncer who knew
this need to be needed, to belong, to know how
a man taste full on vodka & free of sin. i know not which god to pray to.
i look to christ, i look to every mouth on the dance floor, i order
a whiskey coke, name it the blood of my new savior. he is just.
he begs me to dance, to marvel men with the
dash
of hips i brought, he deems my mouth in some stranger’s mouth necessary.
bless that man’s mouth, the song we sway sloppy to, the beat, the bridge, the length
of his hand on my thigh & back & i know not which country i am of.
i want to live on his tongue, build a home of gospel & gayety
i want to raise a city behind his teeth for all boys of choirs & closets to refuge in.
i want my new god to look at the mecca i built him & call it damn good
or maybe i’m just tipsy & free for the first time, willing to worship anything i can taste.
—Danez Smith, "The 17-Year-Old & the Gay Bar," Poetry magazine, 2017.
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