the inkfish, shakespeare

They all want to play Hamlet.
They have not exactly seen their fathers killed
Nor their mothers in a frame-up to kill,
Nor an Ophelia dying with a dust gagging the heart,
Not exactly the spinning circles of singing golden spiders
Not exactly this have they got at nor the meaning of flowers—O flowers, flowers slung by a dancing girl—in the saddest play the inkfish, Shakespeare, ever wrote;
Yet they all want to play Hamlet because it is sad like all actors are sad and to stand by an open grave with a joker’s skull in the hand and then to say over slow and say over slow wise, keen, beautiful words masking a heart that’s breaking, breaking,
This is something that calls and calls to their blood.
They are acting when they talk about it and they know it is acting to be particular about it and yet: They all want to play Hamlet.

~Carl Sandburg, They All Want to Play Hamlet, from Smoke and Steel, II. People Who Must, 1922

I have no explanation for this one. There was going to be an Easter poem, and then there was going to be a poem that had something to do with my odd relationship to religion, and then there was, well, perversity. And Hamlet.